Call Sheets: They're Really Important

By July 3, 2013Business

Call Sheet 630

Somewhere in the world, right this very minute, a member of a film production crew is scrambling to figure out the name and address of his shoot’s location. He needs a call sheet, and he doesn’t have one.

Don’t let this happen to a member of your team — and don’t let it happen to yourself.

The only way that you can prevent potential shoot day meltdowns is by creating a call sheet.

There’s a fine art to everything in this industry, even when it comes to the tedious task of making a call sheet. Mastering this art is simply a matter of making call sheets that effectively answer the who, when, what, and where questions that come up about every five minutes on shoot day.

When you look at a call sheet, all the information may seem pretty straightforward… but putting one together can be an intimidating task.

Where do I start?

Start with the “who”…

Since you’ll need to be making all kinds of phone calls and sending emails throughout the process of building your call sheet, it’s a good idea to start with the list of contacts.

This means all the contacts — like every single person involved with the project.

Here at Stillmotion we separate the production crew’s contact information from that of all outside parties involved with the shoot — the talent, the managers of locations you’re going to, caterers, etc. We’ve got a “Production” section with all the crew’s information, and a “Contacts” section with the information on everyone else.

You’ll want the full name, role/position, email address, and ESPECIALLY the phone number of anyone involved with the shoot to be included on the call list.

Make sure all of your information is correct and current — the last thing you want is your director calling a number that’s no longer in use, and then looking at you like “what the??”…

Who, what, where, when… and weather!

On your call sheet’s header, you’ll want to put the big, important information in a nice big, important font size.

The header should answer these questions:

  • Who are you?
  • Who is the client?
  • What is the shoot?
  • When is the shoot?
  • When is sunrise or sunset? Or both!
  • What’s the weather going to be like?

It should look something like this:

callsheet_header

When do I start making this thing?

Gathering all the information could certainly take a few days… it’s a good idea to keep an open document on your computer to record all the contact information and make notes throughout the week leading up to your shoot.

Once you’ve got all the information, entering it into your call sheet shouldn’t take long unless you’ve got a freakishly low WPM count.

Also, you’ll find that as the details get worked out, plans and schedules will change… sometimes you might not get your final draft out to the team until 24 hours before call time! Obviously sooner is better, but at the very latest you’ll want to get the call sheet out to the crew 24 hours before call time.

Who gets a call sheet?

Short answer: everyone.

You’ll want to give a call sheet to anyone and everyone involved with the shoot. This means the production crew, the talent, the talent’s manager, and especially your client.

Sometimes the client won’t be around much on shoot day, or they’ll be in and out — but it’s going to make them much happier if they feel like they have a sense of what’s going on throughout the day.

One thing to consider is whose information you’re giving away on your call sheet. This is important to think about when you’re working with talent or “important people” who might not want you giving away their phone number to just anyone.

Members of your crew who you know and trust aren’t anything to worry about, but if you pick up a P.A. or hire someone on for the day who you don’t really know… it might be a good idea to make a different set of call sheets for these people.

Location, location, location.

Hey, we’re not one to play favorites but… this might be the *most* important part of your call sheet. People gotta know where they’re going!

All of your shooting locations, and any place that you’ll need to pick something up are going to need to be listed here. Be sure to number each one, so that when you reference “Loc 1” on your schedule, people will clearly understand what that is.

callsheet_locations

You’ll also notice that we put the location of the nearest hospital and the police department (with phone numbers) in this section as well. Some people put this information in its own section, or in the “Notes” area — it doesn’t really matter where you put it, as long as it’s on there somewhere. Preparing for emergencies should always be prioritized!

PARKING! This is something people are always thankful that we include on our call sheet. This is another one that you could put in its own section on the call sheet, or in the notes… we find it fits best in the locations section. If the parking situation is scout-able, scout it out and get the skinny on where to park. Or, give the site’s manager a call — they’ll usually give you the scoop on where to park!

How do I make the schedule?

This will probably be the most challenging part of the call sheet process, because the itinerary is often subject to change. For that reason, you’ll want this to be one of the last things you do on your call sheet.

Sit down with the Director and maybe the DP, and work out the details of the day. What’s the order of events, and how long will each one take?

callsheet_itinerary

Depending on the type of shoot, this section will have more or less detail. If it’s a small live event — like the “Pizza Marathon” — you might have less detail to give about “scenes,” but rather it will be more helpful to list the events of the day.

This section is not the shot list (use SMAPP for that!) — this is simply a list of the day’s schedule, so everyone knows where to be and when.

Have a quick meeting!

While we already know your call sheet is VERY informative and efficient… it doesn’t hurt to rally up the troops and go over the call sheet together as a family.

This is a good idea in that you’ll be able to answer any questions raised by the team, and if you missed anything you can note it or (if there’s time) make a revised, final draft of your call sheet.

We love you… have a template (and other cool stuff).

If you’d like to receive a free template of the call sheet we use here at Stillmotion, sign up for our email list (below) and we’ll send you one!

By signing up for our email updates you’ll get frequent (but not too frequent) emails to let you know when we post something new on the blog, or have a cool opportunity we think you’d be interested in.

We’re all brothers and sisters out here in the filmmaking world… we gotta look out for each other!

So, if you “like what you see” — (hint: you do), you can sign up today, and in the welcome email you’ll receive:

  • 5 premium SMAPP tutorials.
  • The first chapter of KNOW, our filed guide to filmmaking.
  • As promised — our call sheet template!

CLICK HERE TO DOWNLOAD THE CALL SHEET TEMPLATE

Last but not least: make it your own.

Templates are nice, and make the process easier… but we totally encourage you to make your own call sheet with your own design!

Use our template to get started, but like most things in the filmmaking biz you’ll need to find what works best for you and fits your style.

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Got any tips of your own for making a good call sheet?

Let us know!

Stillmotion

About Stillmotion

18 Comments

  • Yes! Thanks so much!

  • But seriously. You’re on the top of my fav list right now.

  • Magic says:

    Great post, thanks ! That’s very useful. PS I wanna live on Yolo Ave.

  • Thank you for all this info guys and girls! 😉 Its all goes into my folder of very useful info from you, so I can be more focused on my productions and get more balanced with my work! 🙂

  • Levi says:

    One question? Why is everything you guys do… AMAZING!

  • Tristan says:

    My boss likes to send about 3 emails over the course of a week with sparse and varying information, leaving out important info like phone numbers and location addresses. He gives us the benefit of the doubt that nothing will possibly go wrong, and we can Google the directions. Maybe I should write a blog post on that alternative producing style…

  • Billy says:

    Great to see how you guys are building a community through your great blog entries and extensive how-to video library. Always look forward to your newsletter/email updates, the call sheet post is really helpful. Thanks!

  • Alecska says:

    Thank you so much!
    Perfect timing with the pre-production of my first fiction short-film!

  • What did you guys make your call sheet on… what program? Thanks a ton!

  • Danny says:

    Thank you very much, brothers and sisters!

  • Denis says:

    Thanks a lot guys! Much appreciated! Love from London x

  • Michael says:

    After a long time in this industry, l pride myself on the notion of “always learning” having checked out your site/blog, l have opened up my eyes even further, thank you for making us creatives smile and keep up the amazing work, ok, im in Australia but so want to work for you guys, lol, will work for tape…hahaha thats showing my age 🙂

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  • Dschinn says:

    The downloadable PDF is not near the same beauty as the call sheet on the pics for pizza marathon. 🙁 No release of the Call Sheet shown in the article?

  • Shant says:

    Super in-depth post Maggie! What do you think of the StudioBinder call sheets? https://www.studiobinder.com/

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